Felizitas Hoffmann

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Felizitas is a director and visual artist whose work combines journalism, photography, documentary film and video art.
In 2014, she graduated from the Ludwig-Maximilians-University Munich (LMU) with a Bachelors degree in Social and Cultural Anthropology as well as Art, Music, Theatre Studies.
In 2017, she co-founded the art collective Hybris with Natalia Jobe & Theresa Hoffmann. Their female gaze explores issues like digital injustice and gender bias.
She currently studies Documentary Film and Television Journalism (Dipl.) at the University of Television and Film Munich (HFF).

Filmography as Director (selection)

2022 Love at first byte (in post production)
Experimental Short / Germany; 6 min, 1:1.85, 2K DCP, 5.1 Dolby Digital, Colour, English; HFF
funded by the scholarship program Young Art and New Ways by the Bavarian State Ministry of Science and the Arts

2022 The Last Dance
(Co-Director Maximilian Bungarten)
Spec Spot / 1 min
Festivals: Aesthetica Short Film Festival 2022

2020 The Big Bubble
Documentary Short / UK, Germany; 30 min, 1:1.85, 2K DCP, 5.1 Dolby Digital, Colour, English; HFF

2019 the meeting in the corner by the window
Documentary Short / Turkey, Germany; 20 min, 1:1.85, 2K DCP, 5.1 Dolby Digital, Colour, English; HFF
Festivals: DOK.fest Munich 2019

2015 Ohne Titel
Experimental Short / Germany; 6 min – 16mm – black&white – German; HFF
Festivals (selection): Lange Nacht der Münchner Museen 2016; 17th Landshuter Kurzfilm Festival; flimmern&rauschen 2016; Film meets Print, DOK.forum, 2015

Awards
2022 ADC Talent Award: Silberner Nagel, The Last Dance
2020 Special Mention, (w)orld, (w)ide, (w)alk, Kirch- Sipendium, media art (5.000,- €)
2020 The Future of Storytelling, DOK.fest: DOK.digital, Munich - finalist
2019 LENS Photography Award London - finalist
2017 Plakatwettbewerb, Ruffinihaus – inmittenkreativ, Kultur- und Kreativwirtschaft Munich
2017 Pinker Bambi, Kunstleben e.V., Hamburg
2016 Projects Young Filmmakers Award, DOK.fest - DOK.forum - marketplace, - finalist
2016 Best Documentary Ohne Titel, Rotary Club Hofgarten Munich, Local Award
2014 Local Award: Sonderpreis Europa, flimmern&rauschen, Munich

Scholarships
2021 Stipendienprogramm des Freistaats Bayern Junge Kunst und neue Wege
2018 DAAD PROMOS

Residency (Hybris)
03/2019    Salzamt, Linz, Austria

frequent collaborators and loved ones
︎︎︎Maximilian Bungarten
︎︎︎Rabelle Erian
︎︎︎Mila Zhluktenko
︎︎︎Camille Tricaud
︎︎︎Mariel Müller
︎︎︎Franziska Unger
︎︎︎Felix Hermann
︎︎︎Daniel Asadi Faezi
︎︎︎Jonas Bock
︎︎︎Hisham Saqr
︎︎︎Jovana Reisinger
︎︎︎Veronika Mendler

︎︎︎Lilli-Rose Pongratz
︎︎︎hajjar sisters
︎︎︎Nina Moog
︎︎︎Tom Otte

︎︎︎benedetta films
︎︎︎Backstage Pictures

︎︎︎Theresa Hoffmann
︎︎︎Natalia Jobe
︎︎︎Mimi Seidl

︎︎︎Melanie Jilg

︎︎︎Cornelia “Nelly” Böhm
︎︎︎Philip Hutter
︎︎︎Nana Zaki

Filmography as Producer (selection)

2022 Basma Hotel (in post production) / FFF Young Talents / HFF Freundeskreis Munich
Short Documentary, D: Rabelle Erian

2020 Billboards to Cairo
Documentary Short / Egypt, Germany, 17 min, 1:1.85, 2K DCP, 5.1 Dolby Digital, Colour, Arabic, English, D: Rabelle Erian; HFF

Solo Exhibitions (Hybris)
2022   sorry, I have a partner, Cucurucu, München
2018    art down - wir haben technische Probleme, CoMa - Container Of Modern Art, Munich
2018    Can I think? Can a submarine swim like a fish? Stiftung Bartels Fondation, Basel
2017 Heute Trinke Ich Mal Nichts, Laden am Rindermarkt, Munich
2017 Auch der Kapitalismus hat Komplexe, galerie kulturreich, Hamburg
2017 From The Camel To The Toe, Flo** Munich

Group Exhibitions (Hybris)
2022    Mehr Pferde als Frauen? – #MakeUsVisible x denkFEmale, München/New York
2021 denkFEmale, gefördert von der Landeshauptstadt München & HFF, München
2020 hysteria, 12/21 Lisa Jureczko und Ava Weis, Wuppertal
2020 what does it meme? Club Quarantäne
2019 LINZ FMR 19 - Art in digital contexts and public spaces, Donaulände Linz
2018 artmuc, Munich
2017 Exposition Objets et préjugées, Médiathèque Edmond Rostand, Paris
2017 Exposition Objets et préjugées, Centre Universitaire Malesherbes, Paris

Talks
2018    Regretting Motherhood - Mutterschaft bereuen? Kreativ:LABOR, fem:POWER, Oldenburg
2018 Regretting Motherhood & Der Deutsche Kinderwunsch, Göttingen Centre for Genderstudies (GCG), Göttingen
2017 Was wir unter Feminismus verstehen wollen, Department of Media and Theatre Studies, The University of Hildesheim Foundation
2016 Pitch of Regretting Motherhood, 9. Empfang der Filmhochschulen zur Berlinale, BERLINALE, Berlin

Selected Press
Unbekannt. “Isarvorstadt: Kunst zu fairen Preisen.” Süddeutsche Zeitung, 13. Nov 2019
Schabernack, Andrea; Zand,Yazdan & Severin Schwarzer. “SYMPOSIUM on the edge of digital ephemerality”. dorftv, 28. March 2019
Pichler, Christian. “Flüchtig digital, einsamer Wal”. Oberoesterreichisches Volksblatt, 27. March 2019
Zand,Yazdan & Severin Schwarzer. “LINZ FMR 19 - Exhibition Tour / Videowalk”. dorftv, 27. March 2019
Philip, Thomas. “Ephemer? Internet Art? What the ... FMR”. Tourismusverband Linz, 21. March 2019
Bund, Romana. “Kunst und kulturelle Nahversorgung: Wir sind das Genre”, Die Referentin, 1. March 2019
Ertl, Dorian. “ARTMUC: Das dünne Eis zwischen Kunst und Kommerz”, Münchner Feuilleton, 8. Nov 2018
Mamer, Blanche. “Kino - Klischee und Überraschung”. Süddeutsche Zeitung, 31. March 2018
“Kultur - Weltstadt ohne Wagnis”. Süddeutsche Zeitung, November 2013

FELIZITAS HOFFMANN